The Apotheosis of Camp
This is a typical piece by Thomas Lanigan-Schmidt, whose show at PS1 in New York, called “Tender Love Among The Junk”, seems to be getting surprisingly little attention. Lanigan-Schmidt first had success in the 1970s and 80s, filling a few galleries (but mostly his apartment) with fay accumulations of sparkly odds and ends that also had a significant edge. His art collides gay culture, outsider art, religious camp and sophisticated assemblage and installation. It has a poignant side that makes the cultural margins seem a tough place to be.
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