Non-Surgical Strike

NSFW, in 1641?

The Daily Pic: In his portrait of a castrato, Andrea Sacchi let a well-hung Apollo make up for the singer's loss.

09.16.13 9:03 PM ET

In honor of the glorious rehang of the Metropolitan Museum’s European Old Masters, and of the museum’s new Monday hours, this will be the first of the Daily Pic’s “Met Mondays”, a series to run over weeks to come. I want to start with an image that, you could say, is less about art-for-art’s-sake than about achieving an almost practical goal, as is so often the case with pre-Modernist art. In 1641, the painter Andrea Sacchi depicted the great castrato singer Marcantonio Pasqualini being crowned in his art by Apollo – who happens to have the most prominent Old Master penis I know of, staring us right in the face. (Please don’t bombard me now with more prominent ones.) I can only read Sacchi’s gesture as deliberate compensation for Marcantonio’s loss, with the implication that the glory of his art makes the singer as whole as his Olympian patron. I wonder how Marcantonio felt about it?

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