In 1782, Joshua Reynolds painted this portrait of the British gent George Coussmaker and his horse, now on view in the Metropolitan Museum's revamped Old Master galleries. Or is it a portrait of the horse and his gent? Given the British love of their mounts, I wonder if any other painter has been faced with as strong a need to perform equine flattery. I love the way the horse is made to wrap elegantly around the tree, and seems to cross its hooves just as its master crosses his legs. I bet George's lady love wouldn't have been rendered as lovingly. Reynolds apparently devoted 22 sessions to painting the master and two to painting the horse, but I might have guessed the reverse.
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