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Tarantino's Love Letter
Inglourious Basterds fails to be a masterpiece because if you make an epic about a little topic like avenging the Jews, you need some emotion. You need a little bit of soul stuck in with the wit and the cool and the trademark film geek insider references. I don't mean you have to get verklempt. But you want someone to hate a little bit—and someone to root for. You felt something when Thurman, as the pregnant bride in Kill Bill, was shot on her wedding day and her child taken away from her. By the time she killed Bill, you wanted him dead as much as she did.
Watch the Inglorious Basterds Trailer
Laurent, on the other hand, is a flat, dour presence and acts in general as if she has little more to avenge in this movie than perhaps her credit card line being cut. It's not entirely her fault. The part is underwritten from the moment we see her run from the farmhouse in the opening scenes—but never see the other members of her family or how they are killed. For once Tarantino, who's often criticized for being too violent, wasn't violent enough when the movie could have used it.
Masterpieces also need a protagonist to carry the story, or at least one who's visible. The star of this film is really Tarantino, telegraphing us in interviews prior to the film and while we watch it what a masterpiece it is while we search for someone to lead us onscreen. Pitt's energy and hilarious character helps. Waltz is a revelation. Kruger, playing a German actress and double agent named Bridget von Hammersmark gets to hold a cigarette like Marlene Dietrich and speak her native German. But there's no hero, or anti-hero, to give the film traction beyond its series of gorgeously shot, imaginatively written and acted scenes.
I have a Jewish friend who, when she hears about some new development going on at work or in the world, always asks, "Is it good for the Jews?"
I say, Inglourious Basterds isn't good enough.
Dana Kennedy, a former correspondent for ABC News, Fox News and MSNBC, who also writes for the The New York Times, the Financial Times, the International Herald Tribune, Time magazine and People, among others, is based in Europe.







FoolsLogos
Who the hell is Dana Kennedy?
JackBurton
I love Tarantino, but I have to agree with the author here that many of his films are way too talky. His dialogue, at times, is so witty that he can't help but overdo it. At other times it just appears to be too labored.
I'll look forward to seeing this one though.
majormoderate
Uh... Dana Kennedy is someone who saw the movie and wrote an article about it that you read.... Who the hell are you?
judeseverin
You should just google her if you're really interested, otherwise your post just sounds abnoxious and a waste of time.
tpogue
Dana Kennedy, a former correspondent for ABC News, Fox News and MSNBC, who also writes for the The New York Times, the Financial Times, the International Herald Tribune, Time magazine and People, among others, is based in Europe.
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dailyplanet
So Brad Pitt's, "Jewish" soldier is named ALDO Raines? Does Quentin Tarantino realize how "un-Jewish" the name ALDO is?
simba6477
I don't believe Pitt's character is Jewish himself, he is just the leader of a group of Jewish-American soldiers.
majormoderate
What about my great uncle Aldo Mordechai Shalom?
dailyplanet
We have to keep in mind that Tarantino suffers from "hommage" syndrome. His hard drive needs a reformat. There was a "B" movie actor named Aldo Ray in the 1940s whose claim to distinction was not his acting ability but his record as a soldier in WWII, which somehow gave him the creds to play a pretend soldier in films. Gee, Quentino...we get it. Your mind works in mysterious ways. What a "momzer" you are! (Momzer is bastard in yiddish; verify this with Steven Speilberg at your next bagels 'n lox brunch together.
tpogue
Dana Kennedy, a former correspondent for ABC News, Fox News and MSNBC, who also writes for the The New York Times, the Financial Times, the International Herald Tribune, Time magazine and People, among others, is based in Europe.
FawnLiebowitz
I for one cannot wait to see this. Given the blockbuster (or is it schlockbuster?) slate of the summer--films that are basically the same thing over and over with CGI involved, by August I'll be the first in line, masterpiece or no
anachreon
I belong to that small group of film aficionados who ardently wish Tarantino had stayed put dusting videos in his shop. France no doubt loves him because he visually supports its concept of the US: a bloody, violent, cultureless country. He is the pornmeister of gore. A bad boy supported by God knows what groups interested in fostering a taste for pretentious slasher movies. As for Brad Pitt appearing in this junk, he must be as dumb as he sometimes looks, or is it just that Jolie Folie has him seriously out of pocket? Long past the time to retire Tarantino & Co.
dailyplanet
I think Tarantino had something to say as a film maker but he "blew his wad" with Reservoir Dogs and Pulp Fiction. Everything else that came after, I agree, has been nothing but little boy comic book guts and gore with women as fantasy figure sex toys to jerk off to. Brad Pitt is a pretty boy whose fame and money has given him intellectual pretensions. He may not be as dumb as people say...but he sure isn't as smart as HE thinks he is either.
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