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Aravind Adiga

My Wild Trip Home

Indian flag Dino Vournas / AP Photo An essay from the author of Between the Assassinations on how he traveled from Brooklyn back to his hometown of Mangalore, and discovered an India he never knew existed.

You can’t go home again—unless you’ve never really been there.

In 2003, my employer in New York, Time Inc., sent me back to India to be a reporter for Time magazine. One of the reasons I wanted to come back, after more than a decade in England and America, was to finish the literary project I’d begun years ago as a student at Oxford, where I had read large parts of Balzac’s novel series The Human Comedy, a complete portrait of the France of his time. I wanted, in a modest way, to do the same for the one place on earth I thought I knew inside-out: Mangalore, my hometown in the south of India. In my apartment in Park Slope, Brooklyn, I sketched out a plan for a bonsai version of The Human Comedy—a series of interconnected stories about each of the typical residents of Mangalore—businessman, teacher, student, farmer, politician, and so on. The book would be true to the external appearance of Mangalore’s buildings and people, but would also capture the inner drives—jealousy, lust, compassion—that shaped the town.

Read an Excerpt from Between the Assassinations

Late in 2003, after settling down in New Delhi—where my job with Time required me to live— I took a flight down south to Mangalore. I had not been back since 1990, the year of my mother’s unexpected death; so not only was this is my first visit in over a decade, it was also my first trip to my hometown without my mother around. I was here, finally, as an adult—free to wander, to speak to anyone, to look at the town with new eyes. And what I discovered, in the course of a weeklong trip, was that I didn’t know my hometown at all.

I had grown up in a privileged, upper-caste Hindu community; and because my father worked for a Catholic hospital, we lived in a prosperous Christian neighborhood. The stories I had planned to write about Mangalore’s residents all featured middle-class Hindus and middle-class Christians. But walking about the streets of Mangalore as an adult, I kept noticing people who had played no role in my childhood, but who made up the majority of the town: the lower castes and the poor. There were also large numbers of Muslims, about whom I had known virtually nothing while growing up. This seemed like a new challenge: to learn about the invisible majority of Mangalore, and write about their struggles and joys. To write a book that would be truer to my hometown than my childhood was. Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people—and a small slice of life being passed off as an “authentic” portrait of the country. What was missing was a book that would show a cross-section of life in an Indian town, capturing both its ethnic richness and its raw wounds.

Between Assassinations book cover Between the Assassinations. By Aravand Adiga. 352 pages. Free Press. $24. It took me a few more trips to Mangalore to make me realize the enormity of the task at hand: The average small Indian town, it turned out, had more ethnic diversity than all of Western Europe put together. India’s huge population, rich past, and history of tolerance combine to create an almost surreal degree of social complexity. To give one example: I speak of Mangalore’s “Muslims”—but they are subdivided into Sunnis and Shias, and also smaller denominations like Ismailis. Some Muslims speak Urdu; others speak Byari, a local dialect; some others speak Tamil—and each linguistic group tends to stick to its own. A caste hierarchy complicated things further; those with preferred last names like “Syed” and “Khan” stand higher up in the hierarchy. Mangalore’s Christians, in turn, are divided into Roman Catholics, Anglicans, Pentecostals, Mormons, and Syrian Christians. And all this is before we have to deal with the Hindus, with their thousand divisions of caste, class, language, and regional origin. I spent as much time as I could learning about Mangalore—interviewing local politicians and businessmen and consulting parliamentary records to study its political history, voting patterns, and ethnic and caste composition.

In the meantime, something unexpected happened that almost tore my book apart. I was traveling all over India for my work as a journalist, and meeting people from other towns who demanded entrance into my Mangalore novel. In the state of Bihar, I spent a day with a radical communist, a man who had renounced a life of privilege to take up arms against the Indian state. While pouring tea with trembling hands, he spoke to me of the times he had been arrested, and of the times he had been beaten in jails. In the town of Panipat, in the north of India, I befriended a wandering sexologist—a quack—and watched him as he took out bottles of white pills and offered them as a cure for syphilis to crowds of young men; he refused to stop following me until I promised to put him in a story. Above all, so many men and women living in old Delhi—the congested, historic part of India’s capital, where I spent my Sundays, walking about the mosques and temples—caught my eye and my ear and forced me to write about them. Soon it was clear to me that the place I was writing about was not Mangalore, but something else—a small town that had all of India in it. I had to invent a name for this town: and I called it Kittur.

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June 10, 2009 | 6:41am
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sharanu

Hi Arvind,

I am your Fan after reading white tiger.. Its really gripping and beautifully written..
Then I was searching for any thing you write I am not a regular user of Internet... so I was not knowing that you write in this forum also... I found Between assaassinations in one of the shops of a old fellow who buys books from delhi and sells in Greater noida he immediately I bought it...

Plot of the storey is in Kittur..I am from Belgaum district of Karnataka where there is a small town called Kittur.. you might be aware Kittur Chennamma a lady who fought British..

but then I realised its not that kittur and an Imaginary town designed to portray the human characters..

Your writing is wonderfull specially I like that journalists storey and that communists storey you have really written well..
One thing in this article you have written about
You had plans to write about and about Mangalore.. then you have elaborated how you studied and wrote...

I really wonder can one write after planning... I thought literature is something which spontaneausly gets built within and comes out ...Now if you interview study and then write then the langauge which you use will it not be deliberate and well thought out... then is it not more of science than art...the imagery which you portrey in language if its base is not emotional vibration but a exercise in language are you doing justice to the subject.... just few doubts yar...

Whatever it is you are the writer whom I will buy and read I love your language may be its that relation between writer and reader that is important ...language it self will have its body and personality... person behind it becomes your friend ....you begin to like him... and imagines a personality of author and may be thinks about what made him to write like this... may be I imagined too much.. and when I read you studied and interviewed... these thoughts came to my mind....(I thought its right from your childhood..of course they may be...but when writer tells his secret of inspiration and how he has woven those words something innosent gets hurt) or may be I have read too much of literary criticism rather than actual literature(What a Fucking joke)

P Lankesh (Kannada journalist)wrote once poem is like a hut of a sparrow intricate..natural...

I love books and your chilling sarcasm... Now whats up in wet Bombay...writing another gripper... I will be waiting for it....







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12:34 pm, Aug 5, 2009

kavitha

Hello A.A
Myself kavitha,one of your regular follower on twitter,got the privilage to get a deeper insight of your works,reviews and your remarkable sojourn in field of journalism.I guess you would recollect my view/comment on your second novel Between the assassinations,as i said i felt that you were trying to express too many views,expressions through different characters,but after reading this post of yours,i really cannot help but appreciate your great attempt to visualise and conceptulise KITTUR even after staying in forgien soils for a decade,we tend to ignore, overlook, take a lot for granted,surpass some, brush away a lot as mundane.But now i understand that we need a soul to observe and understand a place and people in such intricacy.Once again reiterate that it was pleasure to read your works,and the best part is we dont have to keep referring dictionaries,Thanks a lot for that..:),Best wishes for everything.

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9:32 am, Mar 1, 2010
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My Wild Trip Home

by Aravind Adiga

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