Dan Brown: Book Killer

Getty Images (2) Larry McMurtry, left, and Pat Conroy The Da Vinci Code sequel is striking fear in authors like Pat Conroy and Larry McMurtry, who want their books on shelves before The Lost Symbol. Sara Nelson asks: Is Dan Brown publishing’s angel or demon?

Who’s afraid of Big Bad Dan Brown?

Everybody in Book Land it seems. To those who work at Doubleday, Brown’s publisher, the September 15 publication date of The Lost Symbol, the please-let-it-be-a-blockbuster followup to The Da Vinci Code, is a make or break day, or at least the beginning of a make or break month. They’re responsible, and the proverbial heads could roll if the book, which is said to have a first global English-language printing of 6.5 million, doesn’t sell well. Those on the outside—other agents, publishers and writers—consider it a new sort of D-Day. Expecting the book to explode, they’d prefer to scuttle like cockroaches to get out of its way.

There’s the theory that being published on or around a big book’s big day might prove a boon for everybody. But that didn’t particularly work with the Harry Potter books—people came in for their latest hit of Hogwarts and didn’t much stray from the shopping list.

“I had my patch of beach all staked out with my umbrella and towel,” says thriller author Joseph Finder, whose eighth book, Vanished, is scheduled to appear on August 18. Given that most “big books” are usually scheduled for September, he and his publisher, St. Martin’s, had a pretty uninterrupted view of the two-to-four-week “runway” that can determine a book’s success. But now he has company from two other commercial novelists: Terry Brooks’ The Princess of Landover will be released on August 18, and Larry McMurtry’s Rhino Ranch on August 11.

The Lost Symbol. By Dan Brown. 528 Pages. Doubleday Books $29.95. Were these books—which in tone and audience could be considered competitors to The Lost Symbol—moved because of the Dan Brown factor? Good luck getting anybody at their publishers (Del Rey and Simon & Schuster respectively) to go on record saying so. (The only confirmed move I’ve heard of is for a Free Press title, My River Chronicles by Jessica Dulong. This memoir about a dotcommer who becomes a fireboat engineer was fast-tracked to September 8 from its original date of, yup, September 15.) And it was so widely reported back in April that September 15 was DB-Day that publishers had plenty of time to switch their other authors’ pub dates. (“What we really hate,” says one longtime book executive, “is when a book gets rushed onto a list out of nowhere, and you’ve already locked your titles into promotions and coverage; that’s when your author gets bumped from TV shows and out of store windows.”) Still, everybody knows pub dates matter—and get changed all the time.

As the number of media outlets covering books shrink, and as fewer stores—think Barnes & Noble and Amazon.com—control more of how books get promoted and displayed, you don’t want your little first novel (or your potential blockbuster, more likely) to be hit by an avalanche of Dan Brown articles, TV interviews,  and step ladders. “It’s standard procedure to try to determine when other houses are publishing important books,” says a marketing executive at Penguin. “We often change our dates accordingly.” That, and the need, ever more desperate, to make sure your book lands at the top of the dwindling number of bestseller lists; because those lists are relative, no self-respecting publisher would want to put his Patricia Cornwell, say, up against Twilight author Stephenie Meyer, even more so if they have previously landed at No. 1 so a good part of an agent/author’s job is manipulating that pub date.