Once you have accepted it for what it is—a skin-deep crash-course rather than a rigorous in-depth study—there is much to enjoy in this new book.
Certain renowned critics have in the last two decades stepped up their output, as if unsure of their place in literary Valhalla. But if such heated productivity hasn’t blunted their analytical edge it has palpably narrowed their range and, to an extent, diluted their credibility. James Wood charged Harold Bloom with a prolificacy of near-Updike proportions: one book didn’t so much beget another, it recycled and rephrased it, lauding the same works and lionizing the same writers.
As World War II loomed and the Great Depression left its mark, two great songwriters, Irving Berlin and Woody Guthrie, composed anthems that echo today. A new book charts their birth.
In the early winter of 1940, 27-year-old Woody Guthrie made his way from Pampas, Texas, to New York City, ready to break into an arts scene that would be attuned to his left-wing politics. During the long journey, he must have heard Kate Smith’s recording of Irving Berlin’s “God Bless America,” which had been out for just over a year, over and over again; the song irritated him, like a grain of sand working a pearl inside an oyster shell. One February night, in a midtown Manhattan hotel, he began drafting a response.
Lost in the Obamacare uproar is the fact that America still isn’t as healthy as it should be. That’s because we’re more focused on the pain than the root of the pain, argues a new book.
In researching our new book on American health and health care, we met with more than a hundred smart front-line providers. One meeting in particular, with Pat Manocchia, longtime owner and director of a hybrid medical-fitness center called La Palestra in New York City, proved particularly prescient. We spoke about the ongoing health care reform efforts and his efforts to grow an organization that was refused to abide by the many perverse incentive structures in which more care was supposed to lead to better health.
No, it wasn’t champagne or beer or even whiskey, but cider—the drink of the Romans and British sailors. It’s a tipple you should still be knocking back on Thanksgiving.
“It is indeed bad to eat apples. It is better to make them all into cider” —Benjamin Franklin, in Remarks Concerning the Savages of North America, reporting an American Indian’s response to hearing the story of Adam and Eve. No one knows exactly what the Pilgrims drank at the first Thanksgiving back in 1621. No known televised documentaries have survived to date, and little written documentation chronicling the meal exists. However, all evidence points to the fact that the Pilgrims toasted survival and that first harvest in America with mugs of hard apple cider.
The influential evolutionary biologist and fierce defender of atheism on his first memories, three books he’d recommend, and having to write 3,000 words before he’d call a day productive.
What is an early and vibrant memory of yours, from growing up in Kenya?I left Kenya when I was two, so not many memories. I have a picture in my head of my father coming on leave from the army, and my recognizing him by his brown shoes. My family later moved to Nyasaland, now Malawi, and we lived there until I was seven. I remember lots from those times, but especially vivid were the yellow and black swallowtail butterflies and the taste of nasturtium leaves.
One of the most intriguing and provocative novels about slavery came out ten years ago. Nathaniel Rich on how it was misunderstood on publication but its real message haunts us even more today.
The reviews greeting The Known World upon its publication in 2003 were uniformly rapturous, and, for Edward P. Jones, uniformly maddening. Critics singled out for praise the novel’s depiction of black slave owners in the antebellum South, a largely overlooked and toxic fungus in the cellar of American history. So little was known about the subject of black slave owners, and so little had been written about it, that Jones’s novel about Henry Townsend’s plantation and its slaves was taken as a feat of historiographic revelation.
Pakistani-American Shahan Mufti set out to investigate the poisoned relationship between his two countries in his powerful new memoir about terrorism and family history.
“If we meet at a party in New York you might ask me where I’m from,” Shahan Mufti wonders at the start of The Faithful Scribe: A Story of Islam, Pakistan, Family, and War. He has two answers. Born in Ohio to Pakistani parents, Mufti calls himself “100 percent American and 100 percent Pakistani,” his life “a year here, four years there, five months here, two weeks there.” Sorting out origins and identity are how Mufti narrates a history of modern Pakistan and the political turmoil of a country often described by some variation of “the world’s most dangerous place.
From a legend of Mexican crime fiction and a biography of Modest Musorgsky to a giant of Spanish literature.
The Mongolian Conspiracy by Rafael Bernal, trans. by Katherine Silver. Rafael Bernal was a legend of Mexican crime fiction, but he never achieved international renown. Thanks to translator Katherine Silver, his 1969 masterpiece El Complot Mongol, or The Mongolian Conspiracy, is available for the first time in English. Filiberto Garcia is a hitman who knows exactly what gun to use for killing at short range, but not much beyond that. A chance assignment lands him in the middle of an international conspiracy that gives Bernal’s book its name.
If you had one year to live, how would you spend it? That’s a question most of us wouldn’t know how to answer but for one British publisher and translator it was easy: to translate Tolstoy’s great story about a dying man, “The Death of Ivan Illyich.”
Not many people would choose to spend the last days of their life translating a book that describes the agonies of a dying man, but the renowned British publisher Peter Carson, who died in January of this year, did exactly that: he was working on his version of two of Leo Tolstoy’s late works, the spiritual memoir, Confession, and the great novella, The Death of Ivan Ilyich, which tells the story of a Russian lawyer who succumbs, slowly and painfully, to an unspecified illness, when he was diagnosed as terminally ill himself.
When Anders Breivik launched his killing spree in Olso that left 77 dead, people immediately put blame on the far right, but his childhood of abuse might explain more says a new book.
The failed businessman who became Norway’s worst killer, was a victim not of Muslim immigrants, but of childhood trauma.At approximately 17:20 on Friday 22 July 2011, after having attacked Oslo’s main government buildings with a fertilizer bomb, Anders Behring Breivik arrived on the lake island of Utøya dressed as a policeman. Armed with a Glock pistol and a Ruger rifle, Breivik walked calmly around the island, systematically killing members of the Youth League of the ruling Labor Party who were there on summer camp.
One of the most famous literary gatherings ever—when Byron, Shelley, Mary Shelley told ghost stories on the bank of Lake Geneva—is vividly brought to life in a new book about the man who invented the modern vampire and was spurned by Byron.
Earthly celebrity and supernatural immortality were, in 1816, the intermingled obsessions of the notorious clique, presided over by Lord Byron, which convened at Switzerland’s Lake Geneva during a torrentially rainy summer and produced some of English literature’s most seminal works. So it’s spookily fitting that the exploits of those young bohemians, all then under 30 and most not long for this world, have been granted an apparently eternal afterlife, exerting as powerful a fascination as ever almost 200 years after Byron reclined at Villa Diodati’s fireside, reading ghost stories with fellow aristocrat-poet Percy Bysshe Shelley, Mary Wollstonecraft Godwin (Shelley’s 18-year-old lover and the mother of his young child), Claire Clairmont (Mary’s stepsister and Byron’s lover, also 18), and a new doctor named John Polidori, engaged as Byron’s personal physician but, like everyone present, a burningly ambitious scribe.
She went from punk rebel to Lutheran minister, and now she’s using her profane, confessional style to make mainline Protestantism cool.
Nadia Bolz-Weber is everywhere. A former drug user and alcoholic turned Lutheran minister, she’s gotten attention for her eye-catching appearance—colorful tattoos, cropped hair, hipster glasses—and her reputation for dropping the F-bomb. Her edgy-preacher image landed her a number of mainstream media profiles, and her memoir, Pastrix: The Cranky Beautiful Faith of a Sinner and Saint snuck onto the New York Times Bestseller List. She’s not the first Christian minister to break into the mainstream media consciousness and become a bestselling author.
The drawings of Sylvia Plath and the envelope scrawlings of Emily Dickinson afford rare glimpses into the minds of two great poets.
In the odyssey of 20th-century English literature, large looms the myth of Sylvia Plath—talented, tortured, fame-hungry and ferocious. The feminists claimed her as their own modern-day Sappho, a doomed Iphigenia sacrificed on the altar of genius by her philandering husband, Ted Hughes. Her fellow lyrists, meanwhile, declared her “hardly a woman at all, certainly not another ‘poetess’” but—in the words of Robert Lowell—a great classical heroine, “a Dido, a Phaedra or Medea” whose poems played “Russian roulette with six cartridges in the cylinder.
What’s it take to play Macbeth? Ethan Hawke on the seductive darkness of the mad Scotsman, the Shakespeare mania in New York , and why he loves the theater versus movies.
New York is currently giddy with Shakespeare. Tony and Oliver-winning actor Mark Rylance is going the distance in a Bard biathlon on Broadway, starring in both Twelfth Night (as Olivia) and Richard III (as the king). Orlando Bloom has been mooning under a balcony as Romeo, and Ethan Hawke brings a bold and modern interpretation to the murderous Macbeth. Hawke may be best known for movies, including Before Midnight which opened this summer to rave reviews.
From the inside story of an elderly adjunct professor’s death in poverty to MOOC pioneer Sebastian Thrun’s admission of defeat, The Daily Beast picks the best journalism from around the web this week.
Death of a Professor L.V. Anderson, Slate An 83-year-old French instructor’s undignified death became a cause célèbre for exploited academics. But what really happened to Margaret Mary Vojtko?Wall Street Isn’t Worth It John Quiggin, Jacobin Cutting the banks down to size isn’t just got politics—it’s good policy.The Godfather of Free Online Education Changes Course Max Chafkin, Fast Company He captivated the world with visions of self-driving cars and Google Glass and has signed up 1.
Before Napa was even a glimmer in anyone’s eye, the first great American wine was made on the banks of the Ohio River by a land speculator in 1842. The story of how he inadvertently made a Champagne-style wine that even wowed Europe and inspired a poem by Longfellow.
America’s first great wine is one you’ve probably never heard of. The Pilgrims did not produce it. Despite his dreams of flourishing vineyards at Monticello and his belief that America could produce wines “doubtless as good” as Europe, Thomas Jefferson did not create it either. American’s first great wine was a pink sparkling libation made from a hybrid grape called Catawba, grown in the Ohio River Valley outside of Cincinnati. The visionary behind it, Nicholas Longworth was convinced Catawba would become the greatest grape in America, possibly the world.
No China will not beat us soon, our economy still dominates, and the American dream is held the world over. German intellectual Josef Joffe makes a stirring case against the Fareed Zakaria and Thomas Friedman’s of the world that America is strong and getting stronger.
It may be hard to fathom today, but there was a time when the existence of a 23-inch-long satellite heralded America’s downfall. The tiny contraption in question was Sputnik, the launching of which by the Soviet Union on October 4, 1957 simultaneously set off the “space race” between the United States and its communist adversary. That Moscow had beaten the US into space cast a pall over the nation; one commentator noted Sputnik was “a shock which hit many people as hard as Pearl Harbor.
The founder and CEO of controversial military contractor Blackwater is out to defend his record and celebrate his success in his new memoir, but veteran and military contractor Brian Castner says that the book misses the big questions here.
Who should do the killing? Civilians or soldiers, government employees or private contractors? Does it even matter? Should it even matter? Does a decorated soldier become a villain when he performs the same actions in the same war as a contractor? Are some jobs, to use the standard idiom, “inherently governmental?”This is the fundamental question posed in the new memoir, Civilian Warriors, by Erik Prince, the founder of Blackwater. It may be buried under layers of legal defense and rationalizing and being “done keeping quiet” and setting the record straight, but it is a worthy one, and a debate worth having, if Prince could get out of his own way.
The extraordinary true story of Philomena Lee, the Irish mother played by Dame Judi Dench in Stephen Frears’s new film.
Philomena is the extraordinary story of an extraordinary woman. Philomena Lee was a naive teenager, whose only sin was to get pregnant out of wedlock. “Put away” in a convent by an Irish society dominated by the Catholic Church, she gave birth to a beautiful baby boy. For three years she cared for young Anthony, working all the while in the convent laundries. Then, like thousands of other ‘fallen women’, Philomena was forced to give up her child as a condition of being released from the near slavery she found herself in.
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