What’s it like to play a stain of a human being on TV? Timothy Simons on being the lovably “jolly green jizzface” Jonah Ryan on ‘Veep.’
In Washington, D.C., the power players inside the Beltway (or at least those who consider themselves as such) have started categorizing themselves and their colleagues based on what character from Veep they are most like. And they’re all praying that no one thinks they’re a Jonah.
They are, of course, referring Jonah Ryan, the prodigiously insufferable liaison to the president on HBO’s whiz-bang brilliant political farce. An unparalleled ego manifested as a human, who accessorizes his frat-boy privileged personality with excessive delusion and obliviousness, Jonah is absolutely the worst human you’ll ever meet, in D.C. or otherwise. And my god is he great to watch on TV.
There’s been no comedy voice more influential to our generation of Americans than David Letterman. The master of ‘found comedy’ leaves television forever changed.
A strange shocked silence from the studio audience followed David Letterman’s announcement, on his Thursday Late Show, that he is retiring from television and has “a year or so” to go. And yet was it that much of a surprise? Many of his fans have long been harboring fears that any night now, he’d be making just such a statement. The old clock on the wall ticked with a deafening vengeance.
Craig Warga/NY Daily News, via Getty
Letterman will turn 67 on April 12; talented Jimmy Fallon, whose radically reconstituted Tonight Show has been a runaway ratings hit on NBC, is 40. The networks’ desirable demographic is 18-49. In the light of Dave’s announcement, media savants spoke of it as “completing the generational transformation in late-night,” its control passing from baby boomers and the middle-aged to Generation Xers and younger, and much of the culture with it.
HBO’s sprawling fantasy epic returns for its fourth season on Sunday, April 6, and there will be plenty of new faces gracing Westeros.
All Men Must Die. In High Valyrian, it translates to valar morghulis, and serves as the ominous tagline to the highly anticipated fourth season of Game of Thrones.
The Daily Beast
Created by David Benioff and D.B. Weiss, and adapted from A Song of Ice and Fire, George R.R. Martin’s series of epic fantasy novels, the HBO show boasts hundreds of characters spread out across numerous continents, all of whom engage in a surfeit of sex and swordfights to determine who will secure the Iron Throne and control the Seven Kingdoms of Westeros.
With David Letterman retiring, it’s time to break comedy’s glass ceiling. And Chelsea Handler is just the woman to break up network television’s vaunted boy’s club.
David Letterman announced Thursday that he will retire next year after more than two decades of hosting CBS’s Late Show. As one of the most revered hosts in late-night television history, he will be leaving some very large shoes for the next host to fill in 2015.
It’s high time that they be a pair of heels.
The ‘Late Night’ host phoned his boss then walked on stage Thursday to tell the audience—and the world—he’s quitting next year.
David Letterman is retiring next year from his late-night show on CBS—ending more than three decades on two networks as a television comic and talk show host.
John Paul Filo/CBS
“We don’t have the timetable for this precisely down,” the 66-year-old Letterman told his studio audience in a surprise announcement during the Thursday afternoon taping of the Late Show With David Letterman. “I think it will be at least a year or so, but sometime in the not too distant future, 2015 for the love of God, in fact, Paul and I will be wrapping things up,” he added, referring to his longtime bandleader Paul Shaffer.
Drew Barrymore flashed him. Madonna shocked him. He made Lindsay Lohan cry. Watch his most memorable interviews.
Jay Leno has his man-on-street bits. Jimmy Fallon has his viral songs, and Jimmy Kimmel has his star-studded sketches. But David Letterman has always been, and still is, the best interviewer on late-night TV.
Actor Joaquin Phoenix waves to the audience during his interview with the host of ‘The Late Show With David Letterman’ on February 11, 2009. (John Paul Filo/CBS, via Getty)
Last August, Letterman celebrated a two-decade reign as the genre’s king of the tongue-in-cheek cross-examination. Through the years, Letterman has shown an unflappable ability to crack through the most polished celebrity veneers, catching his guests off-guard with biting, provocative, and playful inquisition. The result: great TV.
ABC is furious that Josh Elliott has walked out to join NBC Sports. Many insiders believe a deal with the Today show is behind the dramatic switch.
For all the happy talk, gleaming smiles, and warm vibes of familial affection, the network morning shows--specifically NBC’s Today and ABC’s Good Morning America—are savagely Darwinian behind the cameras.
The Daily Beast
The abrupt departure this week of GMA newsreader Josh Elliott for NBC Sports is a case in point, revealing the rich irony that trash-talking and personal invective are a behind-the-scenes staple of the network news divisions' traditionally friendliest, mushiest programming. Elliott's move has inspired some network spinners to argue that his sudden disappearance will throw a monkey wrench into GMA’s 19-month juggernaut at No.1—and has encouraged others to argue, conversely, that he will, in due course, join a fierce and wounding rivalry at 30 Rock to succeed Matt Lauer as Today’s reigning alpha male.
The ‘Sexiest Woman Alive’ plays an otherworldly being who lures men to a dark room with the promise of kiss kiss bang bang. Is there a better metaphor for movie-going?
My advice is, don’t arrive late for Lost in Translation, or you’ll miss what most men dutifully forked over the price of admission for. The first thing we see is Scarlett Johansson’s rear end, laid sideways on a bed, the full, unhindered view of it only just sheathed, hurtfully, by the thinnest pink underpants known to man, in an overt act of provocation against man. Come now to the new movie Under the Skin, and what do we have? Scarlett Johansson’s behind, in a scene where she struts through a mall in tight jeans, the camera trailing her at an eye level so low there is no mistaking what we are made to gawk at. What has Johansson done to deserve this?
The same question can be asked of all movie stars. Fame really is a pain. Professional celebrities, those gods among us (to borrow from the title of Boston Globe film critic Ty Burr’s zesty history of stardom), are made to slip into a new skin for every new role, all the while exhibiting their bodies before us and staging their most private and vulnerable emotions, all in the name of enticing us into a dark room for a couple of hours. And we don’t leave it at that, either. Once we get out into the real world, we continue to follow their every step, hounding them everywhere. It’s no way to live.
Burr’s book, a survey “on movie stardom and modern fame,” as the subtitle put it, was such a welcomed entry because performance is often the least discussed part of cinema. As Matt Zoller Seitz wrote recently in an essay, critics always talk too much about plot and not enough about the mise-en-scène, the camera placements, and the rest of the nuts and bolts of visual storytelling. But there’s even less quality analysis of acting, of what makes a performance work and what doesn’t. We say someone’s turn was “powerful” or “disappointing,” but really not much else. It’s the hardest thing to do in film criticism. Writing on stars are mostly about gossip and scandal, a degeneration into lifestyle reporting.
Ding! YouTube sensation CinemaSins systematically reveals mistakes, inconsistencies, and grievances in movies like ‘Batman & Robin.’ Spoiler: No film is perfect.
It is a truth universally acknowledged that the only perfect films in the history of cinema are the ones which everyone praises and through some fault or another, no one can ever watch. The missing reels of Erich von Stroheim’s Greed. Orson Welles’s Don Quixote. Victor Fleming’s The Way of All Flesh. Those that remain, even the most beloved classics, eventually show their age as the fads of one age become fodder for the next.
Yet the distinction between good, bad, and likeable remains one of the most difficult mysteries to unravel. The most beloved movies (Star Wars, The Godfather, The Harry Potter series) are often far from the best, while the most technically proficient films (2001: A Space Odyssey, Last Year at Marienbad) can be as boring as the day is long.
Future Islands’s achingly sincere rendition of ‘Seasons (Waiting On You)’ on ‘Late Show with David Letterman'—replete with jaw-dropping dance moves—blew up the Internet. Get acquainted with indie rock’s next big thing.
The dreaded late-night talk show performance.
With its sanitized setting, roving cameras, zillion-watt lights, and wonky acoustics, it’s reduced many a musical act to a pathetic shell of themselves.
The man behind ‘Beavis and Butt-Head’ and ‘Office Space’ skewers incubators and venture capitalists and programmers and billionaires—simply by ripping real details from the headlines.
“I love Goolybib’s integrated multi-platform functionality. Yeah!”
If you think that line is hilarious—especially when it’s the first thing a newly-minted twentysomething tech millionaire shouts after grabbing the mic from an unimpressed Kid Rock at Goolybib’s lame launch party—then you are going to get a huge kick out of Silicon Valley.
As Patrick Stewart and Ian McKellen finish their time on Broadway in 'No Man's Land' and 'Waiting for Godot,' we look back at their epic bromance.
Jennette McCurdy might be upset that her selfies leaked on the Internet. Or she hates her network. We’re not sure.
Nickelodeon’s Sam & Cat is about two roommates who run a babysitting service while taking selfies of themselves in thongs. That is, at least, what you’d think the show was about after a naughty picture of 21-year-old Jennette McCurdy surfaced on the Internet.
McCurdy has said that the sexy selfie was only intended for “just one person.” Who was this special friend?
Some speculate that it’s Detroit Pistons player Andrew Drummond—who has reportedly been in romantic cahoots with McCurdy. McCurdy made fun of Drummond on a podcast, saying his kissing wasn’t up to snuff. “It just didn’t go great…no sparks. The mouths…the shapes weren’t right,” she said. Shortly after this confession, the photos went viral.
Meanwhile, McCurdy skipped the Kid’s Choice Awards last weekend. She’s angry. And she tweeted that she was. “I was put in an uncomfortable, compromising, unfair situation (many of you have guessed what it is) and I had to look out for me. I chose to not go because sticking up for what is right and what is fair is what my mom taught me is ALWAYS the most important thing.”
The news anchor tells Howard Stern why his modeling career didn’t last long.
After keeping silent for thirty years, the dashing Anderson Cooper has opened up regarding the definitive cause for the premature end of his child modeling career. On Monday, the CNN news anchor spoke to Howard Stern about his three-year stint modeling for the likes of Ralph Lauren, Calvin Klein, and Macy's.
"I got propositioned by a photographer...a male," Cooper, who began modeling at age ten, told the radio personality. "He somehow got my number and called me up and offered me money, and so it freaked me out. I never told anybody. I just stopped. I was, like, 'Forget it.'"
Cooper revealed that the photographer offered him $2,500 for his services. When Stern asked, "At that point, you were obviously aware you were gay, but it wasn’t like you wanted to be with an adult man," Cooper replied, "Yeah, I was 13 years old. I wasn’t even thinking about sex. With anybody. I don’t think he had any idea [I was gay]. You know, maybe he did—I honestly don’t know. I think he saw that I was on my own, that I didn’t have a parent or guardian there."
For the past three years Blogologues has been transforming online posts, rants, and queries into a live-action variety show. Their latest production, focused specifically on the fringiest sexual communities, combined pointed jokes with respect and empathy for the posters themselves.
As I left the sketch variety show Blogologues: Dat A.S.S, I was singing, perhaps a little too loudly, one of the standout songs of the evening, about those adults who love My Little Ponies, “Bronies who love ponies, both sexually and non-sexually.”
Lindsay May Cook
You wouldn’t expect the title of a Bronie online forum thread to become a simultaneously hysterical and infectious rap, nor would you expect that women dressed as pink, purple, and blue ponies could pull off gyrating while nibbling on carrots. But such was the hilarious, energetic finale to Blogologues: Dat A.S.S.
When Stephen Colbert was announced as David Letterman's successor, Rush Limbaugh and company both criticized and politicized the move. Keli Goff discusses whether they're actually mad.
Bryan Singer Accused of Sex Abuse
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‘Mrs. Doubtfire’ Getting a Sequel
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Rapper Cuts Off His Penis
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‘Mad Men’ Premiere Bombs
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‘Hunger Games’ Wins MTV Top Honor
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