Hey, God, It's Me, Joan
CBS's spiritually inclined new show "Joan of Arcadia" ponders the same theological conundrum raised by the noted pop philosopher Joan Osborne in her 1995 hit song "What If God Was One of Us?" Osborne's tune is the theme music for the show and, it would appear, the blueprint for the entire story. In the series, a disaffected teenager (Amber Tamblyn) talks to God, who appears to her as a rotating gallery of people. If you recall, the very next line of Osborne's chorus asks us to consider the possibility that God could be "just a stranger on the bus." The first time Joan (of Arc... sorry, Arcadia... whatever) makes eye contact with God, he is--holy moly!--just a stranger on the bus.
"Joan of Arcadia" is really two shows stitched awkwardly together. The first--the good one--is about Joan, her run-ins with God (he wants her to apply herself more) and her relationship with her two siblings: 15-year-old science geek Luke (Michael Welch) and paraplegic older brother Kevin (Jason Ritter), a dreamboat who lost the use of his legs in a car accident. When God introduces himself to Joan after their bus ride, she's skeptical. But he convinces her of his divinity by ticking off a list of things only God could know, like how her parents met, that she likes salt on her cantaloupe and is afraid of clowns. And in that corduroy coat, God looks hot. "Is it weird that I kinda have a crush on you?" she asks. God smiles. "I won't look like this the next time," he says. Hmph. Deities.
The show's crop of gifted young actors bounce off each other like charged ions, and creator Barbara Hall is a natural with sharp, "Gilmore Girls"-y banter. In fact, the show seems better suited to the WB than the adult-minded CBS--except for the moments when Hall shifts focus to Joan's father, the Arcadia chief of police (an over-earnest Joe Mantegna), as he gumshoes through violent murder mysteries. This is the lousy, second show, and it plays like table scraps from "CSI."
Dialing back the cop stuff, or cutting it out entirely, would make "Joan of Arcadia" more cohesive and more fun. But it wouldn't help the fact that it's on the wrong network. CBS clearly signed up Mantegna--and Mary Steenburgen as Joan's mother, who's going through a spiritual crisis after her son's accident--to class up the joint and bring in adult viewers. But CBS's real challenge is going to be persuading teenagers to watch a network that hasn't offered them much beyond "Survivor" in the past. Hey, God, a little help?
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Devin Gordon is the editor of Newsweek Digital, the umbrella company encompassing Newsweek's various web properties, including Newsweek.com and Newsweek Mobile. Previously, from June 2007 to June 2009, he was senior editor of the magazine's Periscope section, which was nominated for a National Magazine Award for "best section" in 2008. Previously, he was a senior writer, writing about film, television, sports and popular culture for the Arts and Entertainment and Society sections. He was part of the Newsweek reporting team for the past three Olympic games, including the Salt Lake City winter games in 2002, the 2004 Summer Olympics in Athens, where he covered swimmer Michael Phelps, and the 2006 Winter Olympics in Turin, Italy, for which he wrote Newsweek's cover story about skier Bode Miller.
During his tenure at the magazine, Gordon has written about everything from HBO's "The Wire" to rock band Coldplay to Oscar-winner film directors Ang Lee and Peter Jackson. He profiled "Curb Your Enthusiasm" creator Larry David on the eve of the series' fourth season debut, and "The Dark Knight" director Christopher Nolan just prior to the film's record breaking release. For Newsweek's year-end double-issue of 2002, he wrote "The Matrix Makers," (Jan. 6, 2003), a cover story about the two upcoming "Matrix" sequels—the first behind-the-scenes look at the new films by any publication.
Gordon joined Newsweek in 1998, after graduating from Duke University. His first cover story was "The Dominator" (June 18, 2001), an examination of what makes Tiger Woods tick. He lives in Brooklyn, NY.
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