Michael Moore is an Academy Award-winning filmmaker and author. He directed and produced Roger & Me, Bowling for Columbine, Fahrenheit 9/11, and Sicko. He has also written seven books, most recently, Mike’s Election Guide 2008.
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Lloyd Grove is editor at large for The Daily Beast. He is also a frequent contributor to New York magazine and was a contributing editor for Condé Nast Portfolio. He wrote a gossip column for the New York Daily News from 2003 to 2006. Prior to that, he wrote the Reliable Source column for the Washington Post, where he spent 23 years covering politics, the media, and other subjects.
Letterman has apologized, Palin has accepted, but for a band of right-wing fanatics outside the Late Show studio, the battle has just begun. Lloyd Grove tells them the war is over.
The Pure Greed of Obama's Phony Health-Care Reform
Look Who's Irish!
The Daily Beast is dedicated to news and commentary, culture, and entertainment. We carefully curate the web’s most essential stories and bring you original must-reads from our talented contributors.
Edwards Sex Tape Details
Investigative journalist and syndicated columnist Diane Dimond has covered the Michael Jackson story since 1993 when she first broke the news that the King of Pop was under investigation for child molestation. She is author of the book, Be Careful Who You Love—Inside the Michael Jackson Case. She lives in New York with her husband, broadcast journalist Michael Schoen.
Marina Abramovic's Full-Frontal Art
Anthony Haden-Guest is the news editor of Charles Saatchi’s online magazine.
Lucian Freud's Naked Truths
Eric Pape has reported on Europe and the Mediterranean region for Newsweek Magazine since 2003. He is co-author of the graphic novel Shake Girl, which was inspired by one of his articles. He has written for the Los Angeles Times magazine, Spin, Reader's Digest, Vibe, Courrier International, Salon, and Los Angeles from five continents. He is based in Paris. Follow him at twitter.com/ericpape
Charles Addams' New York
Rachel Syme is the former culture editor of The Daily Beast and now writes regularly about the arts.
