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America's Pop Culture Savant
Taylor Antrim on why Chuck Klosterman's latest book, Eating the Dinosaur, shows him as pop-culture obsessed as always and wonders if his shtick still works.
Quick Reads for the Asylum
Following his psycho-thriller debut with a collection of stories about extreme anxiety and paranoia, James Lasdun may single-handedly save British short fiction from an untimely demise.
A Vile Love Triangle
In Nick Laird's sharp new novel, Glover's Mistake, not one of the main characters would make good dinner company. But he presents a vision of human envy and contempt that's hard to shake.
Plenty of Time 'Til Doomsday
Ron Currie, Jr.'s rambunctious new Everything Matters! is a winning entry in a new genre: the pre-apocalyptic novel.
The Great New York Novel
With echoes of Wolfe, Doctorow, and DeLillo, Colum McCann's mesmerizing Let the Great World Spin is a prophetic portrait of New York City in the summer of 1974.
Cancer, Cocktails, and Sexual Lust
A knowing story of impending death set at an opulent New England hotel, Emily Chenoweth's debut, Hello Goodbye, is an autobiographical novel that shakes up the terminal-illness genre like a dry martini.
My Italian Love Affair
Binnie Kirshenbaum's witty, insightful European road novel turns the midlife-crisis-romance genre on its head.
Four Overlooked Books of 2009
Taylor Antrim picks the best fiction ignored by The New York Times-can't-put-down books about sex and baseball, class bias, lust on the farm, and drug-addicted misfits.
Red Meat for Revolutionaries
An Egyptian writer called for a "collective revolution" on the final day of the PEN World Voices Festival, arguing that even in the West, people are "imprisoned by individualism."
What the World Is Reading
Novelist Taylor Antrim finds the PEN World Voices Festival an engaging mix of literary superstars like Salman Rushdie and lesser-known talent, who bring their native languages alive.





















