“House of Cards” and Marvel star Corey Stoll, nominated for a Tony Award for “Appropriate,” reveals how acting saved his life—and how he soaks up Sarah Paulson’s punishment.
Tim Teeman is a multi-award winning senior editor and writer at The Daily Beast and the author of In Bed With Gore Vidal: Hustlers, Hollywood and the Private World of an American Master, published by Riverdale Avenue Books/Magnus. Before joining The Daily Beast, Tim was US Correspondent at The Times of London. Tim has won prestigious awards for his work from the Los Angeles Press Club, the New York Press Club, and from NLGJA (Association of LGBTQ Journalists).
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Queen Camilla told artist Jonathan Yeo, “Yes, you’ve got him.” Charles suggested the butterfly landing on his shoulder. And online, debate rages about all that swirling red.
Harry reportedly asked if he could stay in a royal residence in the U.K. Charles is said to have agreed—then Harry ended up staying in a hotel. Plus, Harry and Meghan in Nigeria.
“I imagine we’ll see a lot of flowers,” Anna Wintour said of the Met Gala red carpet. Cardi B, Lauren Sánchez, Sydney Sweeney and others didn’t stop with flowers—or disappoint.
King Charles and Prince Harry may meet this week, as Charles prepares for a busy summer despite William’s concerns. Plus, how Camilla got to be queen, and happy birthday Archie!
“Stereophonic,” the critically lauded play about a 1970s band, and Alicia Keys’ semi-autobiographical musical lead the Tony noms—with notable snubs for other stars and shows.
Plus, inside King Charles’ return to work plan as he battles cancer, Sophie Trudeau reportedly quietly quits Meghan Markle, and is Harry’s medal shade for his dad or Camilla?
It is mesmerizing to watch Jessica Lange act on a Broadway stage, even if the play pales in comparison. Plus, “The Great Gatsby” made into a shamelessly bonkers musical.
Carell delivers a slightly too muted performance as the title character in this adaptation of Chekhov’s famous play—while William Jackson Harper and Alison Pill shine.
Eddie Redmayne makes for a mesmerizing Emcee in Rebecca Frecknall’s stark and lush Broadway mounting of Kander and Ebb’s “Cabaret”—with as much food and drink as you can stomach.