[NO FOOTAGE FOUND]
The acclaimed FX drama’s ending is a bold, refreshing change from the usual rhythm of Western TV.
Geoffrey Bunting is a disabled freelance journalist and the burned-out husk of a book designer. He writes on a range of subjects including entertainment, technology, accessibility, and horny Star Trek. Besides The Daily Beast, he has written for The New York Times, The Washington Post, Wired, Rolling Stone, Time, and others. He's scared of moths and especially talented at tying his shoelaces.
IN SPACE, NO ONE CAN HEAR
The relationship between these two thirsty aliens may not be the most important part of “Star Trek Discovery” Season 5, but it sure is fun.
A CRY FOR HELP
Ahead of the fifth—and final—season’s premiere, we look back at the many wrong turns of Season 4.
MOVE ON
As the MCU crawls towards its “Daredevil” reboot, “Echo” is a reminder that simply bringing the character back isn’t enough.
TRASHY AND TERRIBLE ALL AT ONCE
Giving Michelle Yeoh material this awful to work with should be a punishable offense.
HARBINGER OF DOOM?
Bringing back Iron Man back to the MCU sounds like a step backward—which is why Tony Stark should return as a different classic character.
opinion
IT’S COMPLICATED
As Jada Pinkett Smith’s memoir revives the discourse around Will Smith slapping Chris Rock at the 2022 Oscars, the ableist context surrounding the event is once again missing.
MAY THE FLOP BE WITH YOU
Disney+’s latest Star War was yet another tired, reference-heavy series with little substance—and its heroes didn’t help.
SAYING GOODBYE
While reactions to the final season of “Sex Education” have been mixed, the funeral scene highlights that the season’s more earnest tone is as on-brand as the sex and fun.
CHECK IT OUT
Hulu’s latest superhero drama, “Moving,” is one of the biggest South Korean dramas in history. Here’s why you should watch.