TWISTS
With the need for positive queer representation dominating discourse about TV, it’s a surprise that “The Sandman” didn’t shy away from a controversial but necessary storyline.
Erin M. Brady is a freelance entertainment and culture analyst with a specific love for the weird and uncanny. Her work can be found on Slash Film, RogerEbert.com, Little White Lies, Vulture, Dread Central, and Fangoria.