POWER OF PHOTOGRAPHY
A disturbing look into how German and Italian dictatorships of the 1930s utilized photography, film, and exhibitions—and how modern rallies aren’t much different.
Associate Professor of Humanities and Fine Arts at SNHU, and former Associate Curator at the International Center of Photography (ICP) in New York.
A disturbing look into how German and Italian dictatorships of the 1930s utilized photography, film, and exhibitions—and how modern rallies aren’t much different.