Sabine Hornig at Tanya Bonakdar is the Daily Pic by Blake Gopnik

Sabine Hornig’s fiendishly complex “photographic sculpture”, called “Mirrored Room”, is in her solo show at Tanya Bonakdar Gallery in New York. It’s a metal pavilion, a touch smaller than a bus shelter, whose glass sides house color transparencies of a vacant plate-glass facade in Berlin. There’s an infinite regress of reflections: Real ones, now, of you and the gallery space in New York, which change as you move around the sculpture, versus other, fixed ones preserved from a past moment in Berlin – which, if you look closely, can be seen to include a reflection of the photographer taking the picture. There are hints here of the glass pavilions of Dan Graham and of Jeff Wall’s street-scene transparencies, but the combination is uniquely, brilliantly, Hornig’s. It messes with space, and time and image-making.