Philip Gefter on Zwelethu Mthethwa's major new exhibit, and its racial context in African photography.
Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York
Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Studio Museum of Harlem and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Studio Museum of Harlem and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York
Zwelethu Mthethwa / Courtesy of the Aperture Foundation and Jack Shainman Gallery, New York