Andrew Crump

The outrageous Ana de Armas fight scene in “Ballerina” is so much fun you almost wish the movie had just stopped when it was done.

The new movie “A Desert” references so much of the Alfred Hitchcock classic—but it hits differently in a modern Americana setting.

Finn Wolfhard and his “Ghostbusters: Afterlife” co-star Billy Bryk dish on their filmmaking debut: the summer-camp-gone wrong movie “Hell of a Summer.”

Forget about “snowflakes.” What are we meant to read into the brutal murder of a unicorn?

The new movie “Borderline” is the biggest role of Ray Nicholson’s career so far—and it exposes the ways he is and isn’t like his dad, Jack.

As one father shares, after a traumatizing experience for his kid’s friend, you can’t even see a family movie these days without the weight of the world crashing in.

Perfectly timed to the increasingly conservative climate, “Heart Eyes” is a movie that equates premarital sex with cause for death. Is the slasher film overtly political?

Audiences protested that a trailer for horror hit “Companion” ruined the movie experience by spoiling its big twist. We’ve seen the film. Those people are fools.

Documentary “Eternal You” exposes so-called pioneers of death capitalism who use AI to make the dead seem alive. I watched the movie soon after my mom passed. Here’s why it’s bull.

The new horror film “Grafted” has a sequence so disgusting and cinematically impressive we haven’t stopped thinking about it. Here’s what to know.