While “Twisters” dominates the box office, it’s the furry friend of star Glen Powell that is soaking up all the attention.
Esther Zuckerman is an entertainment journalist whose work has been published by Thrillist, Entertainment Weekly, Vanity Fair, Refinery29, and The A.V. Club, among others. Esther lives and writes in New York City.
“Anora,” Sean Baker’s hilarious, poignant romp about a stripper who elopes with the son of an oligarch, is going to make a huge star out of its incredible lead, Mikey Madison.
“The Apprentice” is going to make headlines, especially for its controversial rape scene. But Jeremy Strong is so good as Roy Cohn, don’t be surprised if he gets award attention.
Kevin Costner mortgaged his house to make this three-part saga. “Chapter 1” premiered at Cannes, and is an interminable, confusing, and somewhat offensive disaster.
“The Substance” got one of the biggest ovations at this year’s Cannes Film Festival. You also might need to take a barf bag with you when you see it.
“Emilia Perez” is a parade of big swings that shouldn’t work. Its Cannes Film Festival premiere proved it’s not for everyone, but those who give into it are loving the wild ride.
Four decades ago in “American Gigolo,” Paul Schrader filmed Gere as the ideal, most virile man. In “Oh, Canada,” the actor is aging and decrepit—and as captivating as ever.
Director Yorgos Lanthimos returns to his nihilistic, sicko ways with “Kinds of Kindness,” a sex-and-cruelty-packed film that had Cannes cheering for its unapologetic bizarreness.
Giggles abounded at the Cannes premiere of Francis Ford Coppola’s latest, which lived up its buzz as an absolute trainwreck. Yet it’s so silly it may be destined for cult status.
While he’s not dancing through a mansion fully naked like he did in “Saltburn,” Keoghan’s surprise song and dance in “Bird” got a big response at the Cannes Film Festival.