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Greg Mitchell is the author of a dozen books, the latest being The Beginning or the End: How Hollywood — and America — Learned to Stop Worrying and Love the Bomb (The New Press). He is also a documentary film producer and director and was the longtime editor of Editor & Publisher.

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opinion

The First Modern Victim of Fake News Was a Socialist

A ‘JUNGLE’ OUT THERE

A new film about ’30s Hollywood reminds us of the first truly modern campaign—whose target was California gubernatorial candidate Upton Sinclair.

Greg Mitchell | Published Dec 12, 2020
opinion

When America Killed 90,000 People for No Good Reason

SLAUGHTERHOUSE 45

A bad luck target, Nagasaki was the first and so far the only victim of automated atomic warfare.

Greg Mitchell | Published Aug 09, 2020

The Hiroshima Cover-Up Began in the Nuclear Era’s First Hour

‘A RATHER PLEASANT WAY TO DIE’

After the bomb dropped 75 years ago, U.S. officials took pains to spin and censor the press, and control the atomic narrative, to this day.

Greg Mitchell | Published Aug 02, 2020

Truman Didn’t Want to Read About What He’d Done to Hiroshima

‘JUST MAKES ME MAD’

The story in The New Yorker exposed many Americans to what the atomic bomb had done — but the commander in chief didn’t appear interested.

Greg Mitchell | Published Jul 26, 2020

When Ayn Rand’s ‘Top Secret’ Atomic Bomb Movie Lost Its Way

HOLLYWOOD BOMB

After Hiroshima and Nagasaki, at least two Hollywood studios planned movies about the atomic bomb. One was about its horrors. Ayn Rand’s? Not so much. 

Greg Mitchell | Published Jul 12, 2020

When Journalists Decried JFK’s ‘Lies’ and Fake News Cries

‘Truly Sinister’

‘The president has been listening to a few advisers who have the scornful idea that it’s proper the press speak only when spoken to, or reports the news with “one-sided fairness.”’

Greg Mitchell | Published Oct 21, 2017

When Hollywood Built Its Own Berlin Wall

REAL OR FAKE

When East Germans began tunneling under the newly built Berlin Wall in 1961, Hollywood muscled in with on-location filming even as tunnelers worked beneath them.

Greg Mitchell | Published Oct 22, 2016

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