No other broadcaster has the fame, empathy, and journalistic skills to pull off a conversation full of as many revelations—and as much humanity—as Sunday’s royal sitdown.
Kevin Fallon is a senior entertainment reporter at The Daily Beast. He covers film, TV, music, and all the other wonderful facets of pop culture. He has written for Newsweek, Glamour, The Week, and The Atlantic, among other publications, and attended New York University. He has appeared on CNN, MSNBC, Access Hollywood, Nightline, and several other TV shows, and is a member of the Television Critics Association and the Gay and Lesbian Entertainment Critics Association. Yes, he is related to Jimmy Fallon, assuming you are referring to the painting contractor from Long Island.
Everything we can’t stop loving, hating, and thinking about this week in pop culture.
The Daily Beast’s resident sitcom guru Kevin Fallon and Marvel expert Melissa Leon break down the season finale to Disney+’s “WandaVision.” [Warning: Major Spoilers!]
After the #FreeBritney documentary, Letterman’s past interviews with Paris Hilton and Lindsay Lohan have sparked outrage. What do they say about where we are today?
The actor plays Murphy’s son in the comedy sequel 33 years in the making, a huge break he knew would one day come... even if it took getting through a lot of shit to get there.
Hollywood’s usual drunken party was a sober mess, failing to meaningfully address a backlash over its lack of inclusivity and snubbing of Black-led work. Time to cancel the Globes?
Everything we can’t stop loving, hating, and thinking about this week in pop culture.
After more than a year of critics saying they’re the year’s best movies and you being unable to watch them, you can finally watch “Minari,” “Nomadland,” and “The Father.”
The “Rise Up” singer is nominated for a Golden Globe for playing the jazz great. She lost 40 pounds, took up drinking and smoking, and immersed herself in darkness to pull it off.
After decades of growing more ridiculous, overproduced, and less “real,” reality TV is returning to its simpler roots. HBO Max’s “The Bridge” proves why it’s so long overdue.