EXCERPT
Early underwater filmmakers had to convince the public that what they were seeing was truly under the sea—but it didn’t stop a growing fascination with the aquatic world.
Margaret Cohen is the Andrew B. Hammond Professor of French Language, Literature, and Civilization at Stanford University, where she teaches in the Department of English. Her books include the award-winning The Novel and the Sea and The Sentimental Education of the Novel (both Princeton), as well as Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution. She is also the coeditor of The Aesthetics of the Undersea and general editor of A Cultural History of the Sea. She lives in Stanford, California.