Stephen Farber

<p>A revolution sparked within the royal circle? Director Nikolaj Arcel talks about his edgy political thriller <i>A Royal Affair</i>, opening this weekend—and mixing Dogme and David Lean.</p>

<p><i>How to Survive a Plague</i> is a stirring chronicle of ACT UP’s campaign to pressure the scientific and medical community to find more drugs for people with AIDS.</p>

<p>The Oscar-nominated <em>Monsieur Lazhar</em> subtly examines the anguish of relocation in its portrait of an Algerian school teacher whose move to Canada is fraught at every turn, writes Stephen Farber.</p>

Maldives President Mohamed Nasheed opened his office to filmmaker John Shenk for ‘a real-life version of “The West Wing.”’

<p>A hit Mexican film, <i>Miss Bala</i>, is set in violent Tijuana with a beauty contestant lead. Stephen Farber talks to the filmmakers, Gerardo Naranjo and Diego Luna.</p>

<p>With <i>The Artist</i> and <i>Hugo</i> being Oscar contenders, <i>Stephen Farber</i> examines the history of film looking at itself—and offers his top 10 movies about movies.</p>

The German director’s Pina Bausch documentary is the latest in a long line of film innovations.

'Texas Killing Fields' is a haunting look at the other side of violence—from Michael Mann's daughter.

The category is such a mess that at a screening of one of this year's five nominees, there were boos. Stephen Farber on what went wrong—and five movies that should have been honored.

Nothing seems to delight Oscar voters like a mother from hell: Monsters from Black Swan, The Fighter, and Animal Kingdom are all vying for awards this year. Stephen Farber on their evolution, from Mildred Pierce to Precious.