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The “Monty Python” comedian lobbed shots at audience intellect when explaining why he dropped the racist slur from a stage revival of “Fawlty Towers.”
He went as far as accusing John Cleese of being a bully.
From “Monty Python’s Flying Circus” and “The Holy Grail” to “Life of Brian,” Cleese tells The Daily Beast how the iconic troupe’s best sketches and scenes came to life.
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Michael Urie reveals the key to nailing the comedy of “Spamalot” on Broadway, his “super-straight” role in “Shrinking,” and why he refuses to tell his coming-out story any more.
“Spamalot” star Leslie Rodriguez Kritzer talks about her journey to Broadway stardom, the diva on stage and within, Tonys, depression—and writing a play about Ghislaine Maxwell.
“Spamalot” returns to Broadway, and the Python-faithful will love it, even it feels a little lost in comedy time. Plus, Dianne Wiest plays a woman seeking fame in “Scene Partners.”
Eric Idle, a fellow Python, previously called out his former colleague for the decision to axe “Always Look on the Bright Side of Life.”
The “Monty Python” co-founders seem to be in disagreement over a planned stage adaptation of their 1979 film.
The “Monty Python” actor didn’t seem to have quite the grasp on the history of colonization.
The comedian was set to direct “Into the Woods” at the iconic Old Vic theater in London.