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Shell said Sunday would be his last day at the media giant.

The dark reimagining of “The Fresh Prince of Bel-Air” resists “Euphoria”-like provocation and grit, and now feels like a classic CW teen drama of the early aughts—in the best way.

Natasha Lyonne’s Charlie Cale is no cop, and as we’ve seen, it’s precisely that distinction that’s made her mysteries more human and complex than your average police procedural.

I don’t know who put “‘Knives Out’ director collaborates with Natasha Lyonne to create a modern spin on ‘Columbo’” into their Hollywood “Mad Libs.” But we appreciate you.

We had a million questions for Jason Woliner, the man behind Peacock’s bizarre, experimental, possibly genius docuseries “Paul T. Goodman.” Thankfully, he had answers.

A guide to the week’s best and worst TV shows and movies from The Daily Beast’s Obsessed critics.

The story of Jan Broberg’s abduction—by the same person, twice—is almost too wild and disturbing to fathom. Lacy tells us what it was like to channel the evil of her kidnapper.