Pixar
Animation house Illumination’s first “original” movie in years isn’t really so original.
The Pixar flick got disappointing reviews out of Cannes and a slow start at the box office. But it’s since become an audience favorite. Director Peter Sohn breaks down the journey.
A guide to the week’s best and worst TV shows and movies from The Daily Beast’s Obsessed critics.
The lovable Carl and Dug return in this poignant piece, which plays ahead of the studio’s new theatrical feature, “Elemental.” It’s an all-too-brief farewell to the characters.
The animation house’s newest original film is sweetly down-to-earth, despite its high-concept conceit. But in order not to self-combust, the movie doesn’t dare push its boundaries.
Tom Cruise! Indiana Jones! “Barbie” and “Oppenheimer” released on the same day!? This summer’s release schedule is giving no shortage of reasons to stay out of the sun.
The Pixar director talks what she changes she wants to see from Hollywood and the Oscars—from hiring more people of color to telling more period jokes.