William Christenberry’s Haunted South
Observer
The noted photographer, who died this week, returned each year to obsessively and meticulously photograph the ever changing Alabama landscape that shaped his vision.
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Church, Sprott, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Coleman's Café, Greensboro, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Double Cola Sign, Beale Street, Memphis, Tennessee
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Side of Palmist Building, Havana Junction, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Taylor's Place, near Greensboro, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
House and Car, near Akron, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Red Building in Forest, Hale County, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
5 Cent, Demopolis, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Green Warehouse, Newbern, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
Corn Sign with Storm Cloud, near Greensboro, Alabama
© William Christenberry; courtesy Pace/MacGill Gallery, New York and Hemphill Fine Arts, Washington, DC
