Tim Teeman

Amber Iman takes the musical “Goddess” into the heavens, away from its earthbound book.

New musical “Last Bimbo of the Apocalypse” is inspired by the infamous 2006 picture of Paris Hilton, Britney Spears, and Lindsay Lohan in a car after a hard night of partying.

In Hannah Moscovitch’s “Sexual Misconduct of the Middle Classes,” Hugh Jackman and Ella Beatty transfix—and triumph—in a #MeToo story where not all is at it seems.

A Leonard Bernstein musical about two sisters finding their way in New York City! Fun, right? No, this new production of “Wonderful Town” is a Big-Apple fail.

The radical musical “Real Women Have Curves” juggles laughs and politics—with a standout number that stops the show.

For 65 years, the mummified body of outlaw Elmer McCurdy was bought and sold for private and public consumption. “Dead Outlaw” brings this crazy story to vivid Broadway life.

The razzle-dazzle of “Just in Time,” a bio-musical about Bobby Darin, is undeniable, with the show—Jonathan Groff at its helm—most solid when singing rather than telling.

If there is one thing you see on Broadway this season, make it David Hyde Pierce’s deliciously executed rendition of “I Am the Very Model of a Modern Major General.”

“Stranger Things: The First Shadow” feels like you’re watching the Netflix series and all of its wild special effects in real life.

The Broadway musical based on the plight of Floyd Collins, a cave explorer who became trapped underground in 1925, looks stunning. But what does it really want to show?