From a sunny Audrey Tautou to a ruffled and magenta David Hasselhoff at the Cannes Film Festival, see fashion’s highs and lows of the week.
Mulligan wore a blush tone Dior Haute Couture gown with handfuls of Tiffany & Co. diamonds to the Cannes opening ceremonies, which also served as a screening for her new film, The Great Gatsby.
Rooney Mara tried on Giambattista Valli's monochromatic suiting at an afterparty celebrating The Great Gatsby at Cannes. The draped one-piece complements the actress’s refined taste.
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Wearing a mauve Lanvin dress to a dinner party celebrating her new Elle cover, Kerry Washington effectively pulled off a look that most girls cannot: a giant organza sack. The ensemble also stood up next to supermodel Iman’s sleek white suit—a true feat.
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Nicole Kidman’s doll-like, perfectly molded veneer may be a turnoff to some, but you can’t fault the actress for looking pretty flawless in this Dior Haute Couture electric floral dress, which she wore on opening night at Cannes.
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The Indian actress went the heritage route at The Great Gatsby’s Cannes premiere on Wednesday in an updated sari and oversize nose ring.
Coppola enlisted her signature for simplicity, as well as the help of close friend Marc Jacobs, in choosing this Louis Vuitton dress, worn to the Cannes premiere of her new film, The Bling Ring.
Tautou, like Coppola, decided that less is more when choosing this printed sundress by Valentino Red for a Cannes photo call.
Avid aesthete Diane Kruger brought her abdomen A-game to a Vogue and M.A.C dinner celebrating designer Prabal Gurung on Monday. Kruger paired a black crop top with printed pants by the popular young designer.
To his credit, David Hasselholf has never really been praised as a style icon. However, that does not excuse the magenta ruffled tuxedo shirt that he wore to the Cannes premiere of Jeune et Jolie on Thursday.
Chloe Moretz looked like a baby-shower picnic table in a dress by Chloe Sevigny for Opening Ceremony that she wore to a party celebrating Nylon magazine’s Young Hollywood issue in Los Angeles.
One would think that Great Gatsby director Baz Luhrmann would have enough money to purchase a high-profile travel wardrobe. But Luhrmann took a more relaxed approach when arriving at Nice’s airport for the Cannes Film Festival on Monday. Apparently, that meant a neck purse.
For Morrison, the Los Angeles premiere of Star Trek Into Darkness apparently meant dressing like an ice cadet at Studio 54.
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