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        Medieval color at the Cloisters is the Daily Pic by Blake Gopnik

        Medieval Splendor

        The Daily Pic: At the Met, the Middle Ages turn out to be rainbow-hued.

        Blake Gopnik

        Updated Jul. 11, 2017 9:41PM ET / Published Jul. 23, 2013 5:16PM ET 

        (Metropolitan Museum of Art)

        A recent visit to the Cloisters, the uptown medieval branch of the Metropolitan Museum of Art, brought home a truth that I’ve known but rarely felt: That medieval sculptures and buildings were almost always brightly painted. It makes way more sense of a stained glass like the one at right, from Germany in about 1300, to imagine it in a setting that included bright statues like the one at left, from Italy in about 1350. Instead of either glass or statue standing out as a note of designer color in an elegant stone box – as in most current museums and churches – both would originally have been parts of a total decor that included all the bright hues of God’s creation. That vision also makes more sense of the brightly painted altarpieces of the 14th and 15th centuries: The glowing fictions they present would have been of a piece with the glowing reality all around them. There would have been continuity between the painted and real world, instead of disjunction.

        For a full visual survey of past Daily Pics visit blakegopnik.com/archive.

        READ THIS LIST

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