Tracey Emin—best known for transforming her stained bedsheets into a Turner-prize-shortlisted art installation—debuted “Those Who Suffer Love,” an exhibition at White Cube in London. The Emin show lays bare the sexual angst of a lovelorn middle-aged women in scratchy drawings of masturbating women and statements of desperation scrawled in neon. In a review of the show, on view through July 4, The Telegraph traces Emin’s controversial career from hard-partying British art school badgirl to well-heeled millionaire.